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ROMA PANGANIBAN

LITERARY AGENT

Roma Panganiban began her publishing career at The Gernert Company before moving to Janklow & Nesbit in 2019, where she began representing literary and upmarket fiction and nonfiction across the adult and children’s markets. She joined the Azantian Literary Agency in 2025 to continue championing fresh, unexpected perspectives, particularly those of writers from underrepresented communities. Her taste leans literary, but she is open to fiction that incorporates genre elements, as well as work that defies categorization altogether. She is interested in narrative nonfiction that reorients our understanding of history, culture, science, society, and ourselves, and creative nonfiction that appeals equally to the heart, mind, and sense of humor. Roma is a member of the American Association of Literary Agents (AALA) and an ambivalent Twitter and Bluesky user (@romapancake). She lives in Brooklyn.

Pronouns

She/Her

Links
Query Status

OPEN

Fun Facts About Me

1. Rather than applying to PhD programs in Cognitive Psychology as my college thesis advisor suggested, I got a graduate degree in contemporary literature. It seemed like a good idea at the time.

2. I was on my high school fencing team, and I joined the university team when I studied in the UK. We once traveled from England to Scotland for a match, making me—technically—a former internationally competitive athlete.

3. I’ve completed the NYT crossword every day so far in 2025. I don't enjoy doing it so much as I enjoy knowing that I can.

4. I recently, as an adult, spent the equivalent of a week’s worth of grocery money buying a 16” vintage Pikachu plush. It’s one of my most prized possessions.

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  • intergenerational family dramas

  • white men feeling bad about being white men

  • young women in a state of inexplicable malaise

  • anything involving the military or police

  • graphic horror

  • epic fantasy

  • space operas

  • westerns

  • violent true crime

  • Civil War-era historical fiction

  • May-December relationships

  • writers writing about writers writing

  • traditional romance

  • business books

  • self-help

  • coming-of-age narratives at any age

  • campus novels with an edge

  • ensemble casts and found/chosen families

  • cults and cliques, broadly defined to include any group with a shared obsession—band kids, secret societies, sports fans, witch covens

  • reckonings with faith and religious traditions

  • dry, wry humor

  • unconventional storytelling methods

  • adolescent second-generation stories

  • smart, weird kids pursuing their own smart, weird paths

Please do not send Me:
Please Send Me:

WISHLIST

ADULT FICTION

I’m interested in novels that are fresh and inventive without necessarily seeking to be edgy. I value writing that is thoughtful, clear, clever, and beautiful on a line level, so long as those well-crafted sentences comprise a compelling, memorable voice and a distinct point of view. I favor character-driven literary fiction that’s unashamed to borrow from genre fiction, particularly speculative/fantasy elements, rich historical settings, and a little mystery. Fiction offers infinite possibilities, and I’m open to being surprised.


ADULT NONFICTION

In nonfiction, I’m looking for narrative works of journalism or cultural history that uncover new ground or approach familiar topics with such curiosity and intensity that they feel new, as well as creative nonfiction that feels intimate, idiosyncratic, and/or wryly funny. I love food writing that incorporates aspects of personal narrative, and any book involving original research or contemporary analysis that reorients the way we see the world.


YOUNG ADULT/MIDDLE GRADE

My interest on the children’s side is primarily in YA, but I’m open to select MG projects. I read for many of the same qualities in children’s fiction as I do in adult, but I prefer more high-concept, fun MG and more realistic, emotional YA, whether contemporary or historical. Across categories, I want to see books for kids and teens who aren’t white, cis, straight, male, neurotypical, allosexual, able-bodied, beautiful, middle-class, Americans, or any of the many things they’re taught are “normal” and good—books that allow young readers to better understand each other, themselves, and the world around them.

My Favorites

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